Short Films

"Revelations" Online Premiere

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Today, we premiere online our short “Revelations" Directed by Kelsey Rauber and shot in May 2018. 

Director Statement

For a while now I've wanted to direct a short, mostly to improve my writing. I love to try new things, probably because I have a real fear of becoming stagnant in life. And I am obsessed with lesbian content as well as representation of adult women beyond the usual "husband left/cheated on her, then she xyz" narrative. So, I knew I wanted it to be about two women with secrets. 

UPDATE:

One More Lesbian has re-released the film and it has over 15,000 views and counting, along with lovely comments.

Nightmares Film Festival Recap

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I just got back from Columbus, Ohio where “The Gaze” screened at Nightmares Film Festival. This was my third year with a film in the festival but my first time attending. I’m so glad I finally got to experience it.

Going into the weekend, I was little bummed to be traveling alone since I had such a fun time last weekend with some of the team at Adirondack Film Festival. But that feeling quickly subsided because I found myself chatting with people right away while waiting for the opening night film; and from that point forward I was completely immersed in the festival.

The real highlight of Nightmares is the venue itself. The Gateway Film Center is wonderful. The screens are beautiful, with amazing sound systems, and the seats are so comfortable. I saw 5 features and over 40 shorts and everything looked & sounded amazing. The venue also has a bar inside with a food menu. And it’s centrally located enough that popping in and out for coffee or other food options was super convenient. Also, the upstairs lounge that leads to the two theaters where the festival’s screenings are held is very conducive for striking up conversations and making connections while between screenings. That no-pressure ability to meet people, combined with the scheduled filmmaker meetup Friday afternoon, led to quite a few new acquaintances that may become longterm friends.

The screening blocks are packed with films, so the Q&As are brief and sometimes skipped all together. But I got some great comments about “The Gaze” after the block. A few people complimented or asked about pulling off the VFX (done by Sean Mannion). And this crowd in particular enjoyed the meta layers to the film. Some mentioned that they really enjoyed the surprise of the ending.

I know filmmakers appreciate my transparent breakdowns of what to expect out of the festivals I attend, so here’s a rundown of what I experienced at Nightmares. In addition to the impeccable technical aspects, the festival gets good overall attendance. I was pleasantly surprised to see that with nearly 70 people at the opening night films that ended after 1am, there still managed to be 40 people at the 9am film the following morning. My block was nearly sold out with over people 70 people in the room. And that seemed to be the case, at least through most of Friday and Saturday (I had to leave before the final day). The last block Saturday started at 2am. I have no idea what that turnout was like but I heard a lot of people say they were going to stick around for it, and many of those people had been there for the 10am screenings that day! That’s something unique about the festival. While I’d say most of the attendees were other filmmakers, Nightmares has a small but super devoted base of fans who just love horror and love meeting genre creators. I met a group of men who drive from Indiana every year to watch as much as possible (they were definitely in the 10am to 4am group of watchers). They don’t make movies, they just love watching movies and call themselves horror cinephiles. I’ve been to horror conventions before and know how super fans can be. But these guys are unique in that they specifically love independent horror and take pride in discovering new voices within the genre. It was really cool seeing them excitedly ask the attending filmmakers to sign their postcards and other memorabilia that we indie filmmakers are so used to nobody caring about at most festivals.

As for the programming as a whole, they do a good job of offering very different options across two screens the whole time. It gives people the choice for what best suits their tastes & interests, and showcases the full variety of what the genre offers. Overall, I found the films had really high production value, but were, unfortunately, pretty heavy on the male gaze (which isn’t uncommon at most genre fests that aren’t explicitly inclusion focused or run by women). I will say that they don’t shy away from critiques and conversations surrounding issues within the genre, as evidenced by their programming of a Social Progress Through Horror panel every year, where diverse panelists are encouraged to speak openly. I appreciated that panel and Jason & Chris(fest founders)’s overall openness to discussion.

All in all, I had a nice weekend and enjoyed having my film as part of the festival.

-Christina

Local Vegan Treat:

  • There was thankfully one vegan option in the area, a vegan fast food place 2 blocks away called Eden Burger, and they had really tasty desserts!

Catch the film next at:

Adirondack Film Festival Recap

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I just got back from a wonderful weekend in Glens Falls attending the Adirondack Film Festival for my short “The Gaze” and Kelsey’s short “Revelations.” Kelsey & I attended last year and absolutely loved it. Here’s that recap, which details all the amazing aspects of the festival we were delighted to discover for the first time. This year, we were thankfully joined by Dani Thomas, our team member and Kelsey’s fiancée, for the whole 4-day trip, as well as “Revelations” Cinematographer Kimberly Drew Whiten and her girlfriend Rosemary Janeiro on Saturday. We all had a blast.

We were initially disappointed to see that, despite having two screenings for each film (one on each day), our blocks were actually programmed up against each other both days. We realized this would mean having to divide and conquer during our screenings, rather than be there to support each other. However, it actually ended up being kind of cool swapping screenings between the two days. The venues are all in walking distance, so it was easy to head over to each other’s block after we each introduced our respective film.

The audience reactions to both films were great! “Revelations” got a low of “aww”s at a sweet moment, and many people commented on how touching the short was and that they especially appreciated the representation of queer women over 40. “The Gaze” got a really loud “HA!” at an appropriate moment towards the end, which was fun to hear. Some filmmakers had nice comments after, and I had 2 local encounters that were really thrilling. One was when a man who I’d assume would dislike my film (based on a conservative appearance), came over to tell me he really enjoyed it and was considering buying one of the drawings based on it (more on the drawings later). And the other was when a young couple came over at the afterparty and said they just had to meet me and discuss the “brilliance” of my film. One of the young women was a local college student and an aspiring actor. She was so excited to chat with me that I couldn’t help but be really excited to chat with her! I’m glad the film resonated so much. It was a joy meeting and speaking with them.

Beyond our own screenings, we all watched over 50 shorts and multiple features. We went to parties and ate amazing meals. And most of all, made a bunch of new friends. I’m not going to recap the whole experience because it would be unnecessarily long (too late?). But I’d like to highlight some reasons why this festival is truly something special. Between my own work and traveling to festivals for my role with Seed&Spark, I’ve attended probably 100 festivals at this point, including some top tier ones. And this one just completely stands out. It's definitely in my top 3 as a filmmaker.

  • The community really shows up! This festival has 6 screens going at once the entire time and somehow manages to nearly fill all rooms. I’ve been in screenings where there are 200 people sitting there, which you’d think would mean the other venues are empty, but in fact none has less than 30 people and most have significantly more. I’ve never experienced local, non-filmmaker crowds like this. It’s truly wonderful. At both screenings of both “The Gaze” and “Revelations,” 60 people were in the room. Seriously. We counted. During the same window of time, we each had somewhere between 58 and 65 people watching our film. And this happened two days in row! That’s amazing, and that was in just 2 of the 6 venues.

  • Speaking of the venues, they’re great! They all have excellent picture and sound. Even the ones that aren’t actual theaters have an immersive quality thanks to efforts of the technical staff. They all also have a lot of character that give you a sense of the town.

  • And the town itself is worthwhile. It’s really easy and enjoyable to walk around. There are great shops and restaurants (with vegan options). And with the fall foliage, just standing around in the center of town is its own reward.

  • The programming is excellent! Head of Programming Jess Levandoski talks about her programming process in this article. I really respect her taste, and I appreciate her commitment to inclusion and representation. The audience is pretty homogeneous (white and mostly retirement age). So I think it’s wonderful that Jess makes it a point to program content that will possibly challenge their points of view. (And I find it equally wonderful that they all keep coming out for those diverse perspectives each year.) The shorts blocks are put together with such thoughtful curation and aren’t crammed with too many films (they all cap out around 60 minutes). And I really, really love that they create an overt distinction between invitational features (called “headliners”) and the truly independent features coming from submissions. I talked more about this last year, since we were there with a feature.

  • The accommodations and community-building are top notch. The festival takes care of the filmmakers in big and small ways! Not only does the festival offer a free hotel room to every single film with someone in attendance, they also have free food at a party every night and at one filmmaker breakfast. The festival staff members are also super warm and welcoming. They all recognize you and your film, and really make filmmakers feel special. This is most apparent in the existence of the Tooning In Gallery, which consists of drawings by local artist Anthony Richichi. He draws at least one piece inspired by a frame in each film that has a representative in attendance. I’ve never seen that anywhere else. It’s such a lovely element of the festival, and obviously so much work on his part. I just love it!

I will say that the one con amongst all the pros of the festival is the fact that they don’t have Q&As. I believe it’s because they want to keep things perfectly on time and running smoothly (which they totally do), and Q&As can be unpredictable. But if they’d just build the time into the blocks, I think this very attentive audience would be super into having Q&As. As filmmakers, we don’t just want to see our work in front of a crowd; we want to hear feedback and know how things are being interpreted. We want to discuss our artistic intentions and talk about the making of what we and our collaborators did together. There were so many times through the weekend where I desperately wanted a Q&A. Not even for my own work, but for others. I had questions for the filmmakers, but had to run to catch another screening. Or, even if I could spend the time talking to the filmmaker(s) one-on-one after, what I really wanted was to hear what that particular audience would say or ask about the film(s) in a group setting. There was one block, probably my favorite of the bunch that I saw, called Laugh Therapy. It featured comedies about the experience of being a woman. I feel it tackled underrepresented subject matters in entertaining ways. There were 200 people there and they were laughing non-stop through the block. I would have seriously loved to hear the conversations that’d come out of that room. I think it would’ve been a cathartic experience for so many people involved. The lack of Q&As is the only thing that disappoints me about a festival that is otherwise phenomenal. I hope that they listen to all the filmmakers asking for Q&As this year, and incorporate them next year. And, of course, I hope I’ll be there next year to experience it!

-Christina

Local Vegan Treat:

Catch “The Gaze” next at:

“Revelations” premieres on our site on November 5th!

Sick Chick Flicks Film Festival Recap

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I just finished my weekend at Sick Chick Flicks Film Festival in Cary, North Carolina where “The Gaze” screened. This was my third year with a film in the festival but my first time attending. I’m glad I finally got to experience it. Overall, I had a nice time. There were only a handful of filmmakers in attendance, so while not watching films, I mostly experienced a quiet weekend exploring what turned out to be a really cute town.

As for the fest itself, you can tell it’s run by filmmakers because the picture and sound projection of all films were excellent. It’s also held in a beautiful venue, The Cary Theater. The festival is not as well attended as it should be. The festival staff seems to do a good job promoting it. But I think it hasn’t gotten the word of mouth it needs just yet. My screening had 35 people, and it was the most attended block as a whole. What’s nice, though, is that all but 5 people in the audience seemed to be locals not affiliated with the festival, so the films definitely reached people they probably wouldn’t otherwise. I hope that as the fest grows (it’s only in its 4th year) locals will come out to see the films.

My block had 11 shorts in it and I really appreciated that my film and the one other with filmmakers in attendance were programmed at the end so that they were fresh in the attendees’ minds for the Q&A. The Q&A itself was very brief, unfortunately, but I did get cool compliments one-on-one after. My favorite moment was 2 girls, one in high school and another in middle school, coming over after to tell me how much they enjoyed my movie and that they’re both aspiring filmmakers. It was also cool being reunited with Dycee Wildman & Jennifer Bonier in the same block with their short “Coming Alive.” Their previous film “Inside The House” was one of my favorites in 2017, which I saw at Ax Wound 2 years ago.

Other highlights:

  • getting to see festival director Christine Parker again, who I worked with at my old job I Was There Film Workshops

  • making new filmmaker friends, like Trinity Vélez-Justo, who gave a great presentation on the significance of sound & music in horror

  • watching 4 compelling pitches all by women in horror where the fest awarded one $400 from the festival’s ticket sales

  • and finally getting to meet & spend time with Megan Peterson, who drove from Wilmington to see my short and my Crowdfunding presentation. I helped launch her crowdfunding campaign for her feature Drought back in 2017, and she’s now joining my education team at Seed&Spark.

-Christina

Local Vegan Treat:

  • I didn’t really find anything great but they at least had food options that weren’t just chains!

Catch the film next at:

"Still Water" Online Premiere

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Today, we premiere online our short "Still Water." Directed by Ryan Kramer and shot in August 2018. 

Director Statement

The idea for Still Water came to me after one of our writing groups with Christina & Kelsey. Location is always one of the toughest things to acquire when shooting on no budget. I don't like to restrict my writing to location, but when I thought of the fact that I could have access to a pool during the summer for a shoot, my mind began to race, grasping for ideas for a film within my favorite genre. I fell in love with the idea of a mother daughter relationship, where I could explore how our imagination affects us, especially at an age where you’re susceptible to everything. I feel like, as a kid, I went through different stages with my imagination. At first, it was the source of fun and creativity. Every toy, every inanimate object had a story. There's a feeling of invincibility that comes with running away with your imagination, but in time, that same source of joy can become a stifling sense of fear. That's the grey area in which I wanted to explore. How your imagination can be your best friend and your worst enemy. 
The other underlying theme in the film is the horrors of parenting, and the line you dance around between smothering and giving your child too much freedom. We all hear stories of how someone turned their head for just a moment to find their child missing. I'm not a parent myself, but I'm sure any adult can empathize with such an innate fear.