Short Films

Seed&Spark Crowdfunding Campaign Launch!

We're crowdfunding for 2 new short films by the creators of  (Christina Raia & Kelsey Rauber)! Watch our pitch below & please join us in making these films by supporting on Seed&Spark

We're crowdfunding for our next projects on Seed&Spark: http://www.seedandspark.com/studio/congestedcat-shorts Please support us & our team in making these films and sharing them with an audience (including you)!

'Juice It' Teaser

We premiere the Teaser Trailer for Christina's latest short film "Juice it." The film is 10 minutes of absurd fun! We can't wait to share it with you but can't do so until we hear back from festivals. In the meantime, enjoy the Teaser!

Teaser Trailer for Christina Raia's latest short film "Juice it." The film is 10 minutes of absurd fun! We can't wait to share it with you but can't do so until we hear back from festivals (such as NBC Short Cuts). In the meantime, enjoy Premise: A young couple attempt a 7 day juice cleanse but quickly realize it's much more difficult than they anticipated as they pass the first 24 hours. the Teaser!

 

A young couple attempt a 7 day juice cleanse but quickly realize it's much more difficult than they anticipated as they pass the first 24 hours. 

Christina & Kelsey Talk 'Kelsey' & What's Next

Christina & Kelsey made a video for the fans of 'Kelsey' to let them know what's next for the creative duo. Below it is Kelsey's recap statement that you could alternatively or additionally read, but feel free to watch the video if you'd like to hear more of what they have to say. And be sure to support and share their Seed&Spark campaign, planning to launch on June 10th. 

 

The other takes aren't really much use because each section of dialog is usually interrupted by a stumble or laugh. There's a jump around 2:25, which'll be overlayed with b-roll. During #passionaires, I'm bringing in dialog for "we should tweet with that more often" and covering with either text or b-roll. Any other bars/cuts will have b-roll overlayed.

Thanks for watching & supporting!

I remember celebrating my birthday on the first read-through of all episodes. It was the first time the cast and crew were introduced to the entire season, and the energy in the room was phenomenal. I remember the excitement and giddiness I felt of what was to come.

And here, a year later, I can say that I'm so proud of what we made happen. It's all thanks to some very talented individuals, who despite constant curveballs and uncertainties remained collected and helped the first season of ‘Kelsey’ come to fruition. Christina and I set out to make a show that was, first of all, one that both of us would want to watch, and one that would give representation to individuals who tend to get neglected on mainstream television. It feels like we accomplished both in an entertaining way, and we're truly proud of that. 

Now that season one has come to an end, the question of ‘Kelsey’s future has become very prevalent. Christina and I had worked out what we would want to do creatively with two more seasons if/when the series acquired a following. Christina and I funded the entire first season out of pocket, putting us in not insignificant credit card debt, because we knew we were making something we believed in and something we wanted to share with others. But we always knew that we'd have to Crowdfund if we wanted to continue. Luckily, it seemed like that was a very viable option with our fanbase. You wanted more and we wanted to give you more. 

However, unfortunately, the plan to keep going with the series will not become a reality. At the end of the day, making a film/tv show/web series is a business, which entails a lot of negotiation and compromise. While in discussion about the upcoming season, some key members of the series had expectations we simply could not meet. We are a small production company that works with minimal budgets and has never seen a profit; so the payoff for most of the work we do is getting to produce content that we're passionate about and sharing the finished products that we put our pride and joy into with an accepting & grateful audience. To be frank, we aren’t willing to sacrifice our integrity or the passionate work environment that we strive to create for our team just to please a select few. That in no way discredits the hard work that has gone into the first season by all. We want to thank everyone from the crew & cast for their dedication and talented contributions. But the time to move on to bigger & brighter creative prospects has come. 

Christina and I left 'Kelsey' season one on a cliffhanger, figuring it would be a creative push for us to continue. Had things gone the way we planned, we'd be delivering on that decision. We apologize to anyone who feels let down by the fact that we can't. However, we do not want to let fans of the show down by any means. We will continue to put out work together and prove that we're a team worth your trust and support. Our next projects are two short films, both about siblings. We’re exploring a different genre with these two pieces. They address the topic of loss, one with two brothers and one with two sisters. Not unsurprisingly, they are based on personal experiences that I have gone through. We want to show the versatility of what we can portray; but you will get the same (or better) quality in storytelling and production value. We're excited to announce that we'll again be collaborating with our 'Kelsey' Cinematographer Peter Westervelt as well as much of the core production crew members. We're also excited to announce that Lauren A. Kennedy (Joanne on 'Kelsey' & Jesse in Christina's feature film Summit) will be playing one of the sisters.

We are planning to Crowdfund for these pieces, so keep an eye out on CongestedCat.com for our Seed&Spark.com campaign in June. Seed&Spark is one place to fund & follow, discover & watch indie films. We’re aiming to launch our campaign on June 10th and will have 30 days to raise $20,000. This money will go towards production costs as well as paying all of the crew and cast for their work. The creators and cast often get all the glory when it comes to film. The crew members and how hard they have to work to make it all come together is often overlooked. Christina has managed to find an incredibly talented and passionate crew and it is time that they also reap more of the benefits. I know Christina feels very strongly about this and I, too, am consistently amazed and inspired by the work that they bring to every shoot. So, $20,000 may seem like a lot of money but we want these shorts to be products that the crew & cast are not only proud to be part of, but also are able to make a small income from. Most of them exclusively work freelance, and most are doing majority unpaid gigs. 

So, thank you! Thank you for reading this. Thank you for watching and supporting our show. And thank you for the positive response we’ve gotten. We are incredibly proud of the work we’ve accomplished so far and extremely humbled by the amazing reactions from fans. We sincerely hope you will give us a chance to show you other sides of our talents.

You’ll find our Seed&Spark campaign posted on this blog in 6 weeks. And, please note, even if you don’t have any funds to contribute, sharing goes a long way!

In the meantime, tweet at us, leave a comment, re-watch 'Kelsey,' check out the other fun projects CongestedCat Productions has been working on.

Sincerely,

Kelsey (on behalf of myself, Christina & the rest of the CongestedCat team)

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We're Casting for 2 of the roles! Read below if you're interested. 

  • "We Had Plans"

Director: Christina Raia  Writer: Kelsey Rauber

PREMISE:

Diana & Liz are two adult sisters who love and respect each other more than anyone else in the world. But their future plans are tested upon receiving news.

CHARACTER DESCRIPTION: 

DIANA, 30s, Caucasian, the older sister who has grown up taking care of her younger sister. But roles shifted a little upon the realization that Diana cannot have kids. She is a little quirky and slightly needy. Also, a lesbian. 

*Non-union only. Production will happen over 1 day in July (additional details upon callbacks).

  • "Not Our Living Room"

Director: Christina Raia  Writer: Kelsey Rauber

PREMISE:

Two brothers get ready for their moms' anniversary party, but quickly realize something is very wrong with their environment when they try to leave the room.

CHARACTER DESCRIPTION: 

CHRIS: 22-28 age range, he's fun loving and easy going. The younger, more carefree brother. He jogs, so is in pretty good shape. The actor playing the other brother (JAKE) is caucasian. Ideally, Chris would be mixed race because we want them to be half-siblings & reflect diversity. But caucasian actors should definitely apply as well.

*Non-union only. Production will happen over 1 day in July (additional details upon callbacks).

    "House Near The End of The Street" Screened & Other Fest News

    This past weekend, our Contest Submission "House Near The End of the Street," which ended up making the Top 10 Finalists in said contest, screened at the Macabre Faire Film Festival. It was like a mini Comic Con with hundreds of Horror Fans in attendance. Christina & Ryan had a blast meeting the audience and hearing their positive feedback on the short. 

    The film also screened at the NJ HorrorFest last year. Unfortunately, we could not attend that one. But we hear it was received well. 

    A young woman babysits a little boy for the first time and doesn't pick up on his odd behavior throughout the night. Done in 3 weeks for the Cabin in the Woods Horror spoof competition. Some Fun Trivia/Movie Connections: -Casey is a play on the final girl trope. The fact that she is adopted and a babysitter reference Laurie in Halloween (1978). She is named after Drew Barrymore in Scream (1996). Her outfit and hair are reminiscent of Sidney's in Scream. -The babysitting scenario references When a Stranger Calls (1979) and the positioning of the couch somewhat reflects the couch setup in that film. -Kevin is like a young Michael Myers (Halloween (1979)), he even resembles him somewhat. His name is an homage to the mysterious "Kevin" listed on the whiteboard in Cabin In the Woods (2011). Being adopted is a reference to most specifically The Omen (1976) but also The Ring (2002) & Orphan (2009). -Brody is the typical boyfriend who shows up for sex & dies. But rather than the dick, jock type of the 80's, he's the 70's bad boy musician, but modernized into a hipster spoof. -The title is a spoof of all the horror titles with House in them, most specifically the recent House At The End Of The Street. -The opening title is a nod at the title opening in Cabin in the Woods. -The score is meant to be reminiscent of Halloween -The refrigerator door has alphabet magnets that spell out "Redrum" like in The Shining (1980). -When Kevin says he likes to play games, this is a reference to Ils (2006) and Saw (2004). -The shot of Casey in the doorway of Kevin's bedroom with the framed moth on the wall next to her is a direct homage to The Silence of the Lambs (1991), in both the use of the actual iconic moth as well as the shot construction. -There is a hockey mask sitting atop Kevin's desk (Friday the 13th (1980)). -There is a framed photo of Jeffery Dahmer sitting on Kevin's desk, possibly meant to be interpreted as a photo of his real father. But for anyone who recognizes Dahmer, then the joke is that it's Kevin's idol. -The rubik's cube is a very subtle reference to Hellraiser (1987). -There is a shirt hanging in Kevin's closet that is a reference to the Freddy Krueger sweater(A Nightmare on Elm Street (1984)). -The photos on the wall imply that Kevin killed the family cat. There is a cat collar sitting atop Kevin's desk. The cat is named Church, after the cat in Pet Sematary (1989). Pet Sematary is also the very first horror film Director Christina Raia ever saw when she was 5 years old. -Casey looking at the photos, revealing a common trait in Kevin, is an homage to The Sixth Sense (1999) -Kevin is finger painting with Brody's blood. -The dolly-in at Kevin painting on the floor is an homage to The Others (2001). -The knife Kevin picks up resembles Michael Myers' knife in Halloween. -The POV shot of Kevin walking toward Casey with the rolling pin is an homage to the POV's in the beginning of Halloween, as well as, then an often repeated pattern, in Friday the 13th & other films like Sleepaway Camp (1983). -Director Christina Raia set up shots to often reveal Kevin between things or people. In the first scene, he's standing between his parents. He's later revealed standing between Casey & Brody after they kiss. He's between his parents in the second photo, in the middle of a swing in the first, and between his parents & the cat in the fourth. The shot in the kitchen is through the fridge as Brody opens it, revealing Kevin in the background between Brody's body & the fridge door. The final shot of him is between his two arching bedroom walls as he looks out the window at Casey.

     

    We will not be submitting the film to the any additional festivals. So feel free to watch it on our site at any time. Like this short and "Come Here Often?," our other short "S.K.A." will not be screening at any future festivals after making Official Selection at the 2013 Dark Comedy Festival, 2013 Faux Film Festival, 2013 Laugh or Die Fest & being invited to screen at the 2013 Katra Film Series

    You can also watch the film on our site:

    A dark comedy set in an absurd self-help group. *Official Selection- 2013 Dark Comedy Festival & 2013 Faux Film Festival

     

    Our main festival submissions/screenings for the new year will predominately be focused on Summit, but also on Christina's new short "Juice It," "Ryan's upcoming short "Fed Up," and a few other short films we have slated for production over the summer. As always, we'll keep you updated. 

    ' Come Here Often?' Festival Run Concluded

    After screening at the Katra Film Series, Cinema Night, Reel Works of NYC & making it to the Best of Katra in association with the East Harlem Film Festival, "Come Here Often?" screened this past Friday at the International Film Festival of Manhattan. Unfortunately, none of us could attend but we've received great feedback from guests who reached out to us through the inter-webs. It has a special place in our hearts at CongestedCat, being our first production as a team and having been so well received over the last two years.