Festivals & Awards

Georgia Film Festival Recap

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Last Saturday was the festival premiere of our feature About a Donkey. Kelsey and I flew down for the festival and enjoyed the hell out of it. 

The festival was held at the University of North Georgia, and is run by professors at the school. The whole staff was lovely and super welcoming. There’s a real community feel since many of the volunteers are students, and families of those students come out to support the fest. 

About a Donkey screened at 2:30pm in a nice theater. We could feel the care put into the setup. The screening started on time and played without tech issues. We had about 35 people in attendance, which was pretty cool considering we don’t have any cast or crew connections to Georgia. With the exception of wonderful filmmaker friend, Lynne Hansen (creator of I Make Films Like a Girl pins & shirts), who drove from Atlanta to finally meet me in person and support our premiere, everyone in attendance was a local who came out of mere interest in the film. We were elated to quickly realize the audience was enjoying the film because laughs started from essentially the first punchline and continued steadily throughout the film. One guy sitting right behind me and Kelsey was a particularly enthusiastic laugher, which made the experience all the more enjoyable for us! The Q&A was well-run and thoughtful. The audience had a lot of questions, and we were relieved and grateful to hear that the film resonated with them and they wanted to learn/see more! 

Even after the Q&A, quite a few people stuck around to talk to us and personally tell us that they liked the film. Two teen girls talked to us about their own aspirations in film and were super excited to meet us. That was a really humbling and inspiring moment. 

We spent much of the rest of the day hanging out with Lynne, whose work you should definitely check out. She’s a horror fan/filmmaker like me, but had some really positive feedback about the film and how it touched her despite its lack of gore! And a couple strangers even tweeted recommendations of catching the film at future festivals. The afterparty was really fun, held at a local brewery. We chatted with a couple other filmmakers in the festival, but mainly found ourselves in Q&A’s with students who wanted to hear more about what we do and how we do it. It was an awesome experience all around. 

I loved being part of the Georgia Film Festival and would definitely like to return. I want to thank them for programming our film. As filmmakers, our goal is to reach people beyond our own network, and festivals are a way to do that. However, festivals often have a goal of filling as many seats as possible, which typically means trying to program only name-driven content and/or local content where cast & crew will heavily market to their local networks. That’s why it’s so wonderful that the Georgia Film Fest programming team enjoyed the film enough to offer it a slot and allow us this audience engagement! 

We’ll have more festival news soon! Stay tuned!

-Christina

About a Donkey Festival Premiere!

We have great news! About a Donkey will be premiering as one of 5 feature films at the Georgia Film Festival on Saturday, May 19th, at 2:30pm! We're super excited to be screening the film in the South, particularly because our mission with the film is to create conversation and build some bridges towards acceptance. We could use help spreading the word to locals, so if anyone knows people in the Oakwood/Atlanta area, please let us know!

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Blackbird Film Festival Recap

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Last weekend was the Blackbird Film Festival, where "Enough" screened and was nominated for the Foreboding Film Award. I had never been part of this fest before but decided to submit because I had heard good things from filmmaker friends last year. It was about a 3.5 hour drive from the city, which presented an opportunity to spend some time with my mom (since she drives and I just like taking her to fests with me)! 

The festival was really enjoyable. I love that tickets were free (a perk of being sponsored by a university) and in a beautiful venue with super-prepared interns from the college who were genuinely helpful and enthusiastic about the films & filmmakers. It's rare that I feel a festivals programming is completely solid, both in terms of production quality and story -- but I felt that here. I saw 65 out of 117 screened shorts. I did think some of the blocks (and films within those blocks) were too long, a couple hitting 2.5 hours; but overall the films were well selected and curated into thoughtful blocks with insightful Q&A's. And another benefit of being sponsored by and held at a university is that screenings were never really empty. Students and families of students came out, even if they didn't know anyone with a film in the festival. Opening night had about 80 people in attendance, and I think 45 was the average throughout most other blocks. Mine was the R-rated Foreboding block at 9pm Saturday night (really started at 9:30). The blocks began at 9am Saturday, so it was a long day for anyone who stuck around. Thankfully, many did. I did a headcount and we had just under 50 people in attendance. By the time the block ended, it was 11:30pm and people were clearly tired. So we, unfortunately, didn't get the nuanced and personalized Q&A I had seen other filmmakers get throughout the day, which was my only real disappointment of the festival. But we did get a moment on stage to each speak once about what inspired our film. And I found the audience, the next day, had some lovely things to say about how it resonated and what they thought of the ending (I won't spoil anything here). During the screening, I heard a gasp at the end and "woo" during the credits (I don't believe from someone I know). And a couple people told me "Enough" was their favorite from the block of 10, which was really nice and surprising to hear because all the films were intriguing and well done. 

We stuck around for 2 more blocks Sunday morning before hitting the road in the afternoon. I couldn't stay for the awards ceremony but glad I got to stay for the bulk of the fest. I didn't end up winning anyway, but it would've been nice to meet more of the filmmakers and congratulate the winners. (I was actually rooting for another that I was disappointed didn't take home our category. It's titled "Childer;" definitely check it out at a horror fest near you, if you can!)

Other than the films themselves, it was also just a nice time in Cortland meeting and chatting with people. I not only got to spend time with my mom but also got to see a couple IndieWorks alumni who also made the trip from the City, including friend and frequent collaborator Jeanette Sears ("Night In" DP), whose sweet film "Happenstance" played. And I even got to have lunch with my cousin Shivanna, who goes to Ithaca just 20 minutes from Courtland. All in all, I had a great weekend and will definitely be submitting new work for next year. It's rare for me to find a festival in or near NY that I feel has integrity, is well run, and doesn't just program anything & everything to get butts in seats. Other than Queens World, this may be my other local(ish) go-to each year. 

The film's next screening will be at the Bluestocking Film Series in Maine in August! I will be attending! Check out the recaps of previous screenings at Queens World FF and Ax Wound FF.

-Christina

Queens World Film Festival Recap

Last week was the Queens World Film Festival, our favorite local fest and one of my (Christina's) favorite fests overall. We were lucky enough to have two shorts part of it this year, "Enough" and "Arm Bar." 

"Enough" screened Thursday night at Kaufman Astoria Studios as part of the #Women block. I'm usually a little skeptical of any block whose theme is just "women," as it usually implies it's the only block at the festival with films directed by women. But women directors were super represented all throughout the festival this year, and I was happy to see that my block featured 5 films unified by a kind of "women on the edge" theme - tackling struggles that don't specifically afflict women but were portrayed in nuanced ways that felt authentically and pointedly woman. The audience was small, only about 35 people, but not bad for 6pm on a weekday. And thankfully, the audience was engaged, with a well-run Q&A that artistically tackled the work. See the Q&A below. We cut out most of the other filmmakers' answers, as as to not spoil their films. But the discussion was great overall.

"Arm Bar" screened Sunday at the beautiful Museum of Moving Image theater in the Queens Corner block, which always closes out the festival and has the largest audience because it features 7 to 8 films all by Queens-based filmmakers. Usually the films are also all shot in Queens, but there were a couple in this lineup that weren't. It was a mixed bag but there were some some really excellent films in the mix. "Arm Bar" was super well received by the audience, with the brilliant Latresa Baker's gripping lead performance complimented during the Q&A. Watch the recap below. Again, we kept everyone's intro but only included Ryan's answers, so as to avoid spoilers for the other films. (Thanks QWFF volunteer Maggi Delgado for recording & sharing both videos.)

We hope to be back at Queens World with new work next year! Until then, our next screening will be at Blackbird in April with "Enough."