About A Donkey

Austin Revolution Film Festival Recap

Our About a Donkey screening at Austin Revolution Film Festival was this past weekend, and it was an overall great trip & festival experience.

The festival started Tuesday evening, but I didn’t arrive until Thursday afternoon. We decided to make the Austin trip a full (film)family affair, so my husband Justin came along. He spent Thursday evening catching up with friends who recently moved to Austin, while I went to the Filmmaker Mixer, joined by About a Donkey cast member Alexandra Clayton (who also flew in for the festival). We mingled a bit with new faces, but spent most of the hour catching up with each other (Alexandra moved to LA shortly after we wrapped production in 2017), and with a few filmmaker friends I’ve met at festivals in the past. It was a fun night at the Alamo Drafthouse, where we watched that night’s screening of one trailer, a music video, 5 shorts, and a feature — over a 3 hour block. It was a long lineup for one sitting, but mostly compelling enough to warrant the length.

That night was, unfortunately, the last screening at Alamo Drafthouse. It’ll admit, it’s a bit disappointing that only 1/3 of the films got a chance to play at their fullest quality in that venue; but I do appreciate the festival trying to squeeze in as many there as possible. The festival director explained that their weekend conflicted with Fantastic Fest (Alamo Drafthouse’s own resident festival), and as a truly independent festival that doesn’t allow the industry and celebrity to dictate what they program, having all of ARFF hosted at the theater just wasn’t an option. I totally get and respect that.

Friday and Saturday moved to the Crowne Plaza hotel, where two rooms where converted into theaters, along with a third space for panels. I’ve been to a few festivals held at hotels and have mostly experienced poor screening quality and non-stop tech issues, so I was a little wary of this one. However, ARFF clearly put in the prep work to make sure the spaces felt as much like theaters as possible. And while the picture and sound didn’t have Alamo Drafthouse crispness, there were no tech disruptions that I encountered throughout the fest.

Having arrived late Thursday night, Kelsey & her fiancée (and CongestedCat collaborator) Dani Thomas, joined me & Justin for breakfast Friday morning. Matt and About a Donkey actor Katherine Wessling flew in that morning, and met up with us, as well. (Like I said, full film-family affair.) As our first time in Austin, we tried to balance sightseeing, eating all of the things we could, and film watching/supporting as much as possible. We spent the first half of the day walking around South Congress street, taking in the artsy area of the city.

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Our screening was then at 3:30pm. I’ll admit, this wasn’t a great slot and we were worried we’d have a low turnout. And, unfortunately, that was the case. I do understand that finding a good fit for everyone isn’t possible in a lineup of 150ish films. However, our 5 local friends really wanted to attend but they all had work. If our slot had been just 2 hours later, they could’ve made it. So, though I understand, I’d be lying if I said the slot wasn’t a bummer. I’ll also say that, after our North Carolina Gay & Lesbian Film Festival screening, we were maybe a bit spoiled by how embedded that festival is in the community & how much of a local draw it has. So, our standards of a successful screening for this film had maybe skyrocketed since our Georgia screening. We did some targeted ads on social media for NCGLFF, but our over 100-person audience was really the benefit of that festival’s reach. So, we had high hopes for this festival; not to that degree but we thought it’d have at least a bit of a general public following, as well. That doesn’t seem to be the case, though. We ended up with just 27 people in the crowd (not including the 7 of us and the 4 filmmakers from the 2 shorts that screened as part of the block). And while I am absolutely so appreciative of the fact that other filmmakers came out to see our film, I was really hoping to get some local, non-filmmaker attendance. Our mission with the film is largely to reach people and generate some conversations; maybe even open minds a bit towards empathy & acceptance. It’s a big part of why we’ve been targeting bible belt areas through our festival submissions. So, to not have anyone in the room that wasn’t a filmmaker with a film screening in the festival was a small letdown. That said, the response from the crowd was truly wonderful. They laughed (someone even told me they cried at a sweet moment), and all had lovely comments during the Q&A and for nearly 30 minutes of chatting afterwards. I’m so honored they chose to see our film, especially since there was another block and a panel happening simultaneously.

After the chatting wrapped up, we decided to go out for celebratory drinks. Then, we explored downtown Austin (and by explored, I mean sped-walk through it) to get to the infamous South Congress Street Bridge bats, which I was told by many people were overrated; and I’ll admit they kind of are, but I’m glad I saw them anyway because I would’ve always wondered otherwise. (Hopefully the fam feels the same way and doesn’t resent the walk to see them. I think I made up for it by making sure everyone got to have Texas BBQ that night, while I grabbed a vegan bite from the delicious food truck Arlo’s.)

After that, everyone slept off their food coma, while I caught part of the late night horror-comedy block. As a festival that originally started as a genre festival, horror filmmakers are in high attendance at the fest. So, that was a fun one to attend.

Sunday, we had amazing breakfast tacos (at a vegan-friendly place called Taco Joint), and then spent the rest of the day catching films as we could, here & there, before the awards ceremony. We ended up winning Best Produced Screenplay (and Best Animal Actor; go Cinnamon)! Being nominated in 7 categories was an honor in itself, but we have to admit we’re extremely proud & grateful to have taken home that award.

All in all, the experience was lovely because we all got to spend time together in Austin, as well as share our film with an engaged audience. And I got to meetup with filmmaker friends, both old & new — many of whom I’d only known via social media. The festival itself is run by really kind & fun people who, as filmmakers themselves, clearly care about storytellers and why we do what we do. The festival director, Jim, was so enthusiastic about our film. His affection for the film alone made me really excited to attend the festival and meet everyone. There’s a real family vibe. It had the most filmmaker attendance I think I’ve ever seen at a festival of its size, which is pretty amazing. However, as I said, it was really only filmmakers or friends & family of selected filmmakers at the screenings; and not just ours, all of them. I think that, like in New York where there are top industry festivals and so many things to choose to do on any given night, Austin is too booming of a City for a truly independent festival to hook a non-filmmaker audience. They could definitely get there as they grow each year; but I’m sure it’s incredibly hard to get attention & support with Fantastic Fest happening at the same time and the Austin Film Festival right around the corner (not to mention SXSW in March). All in all, I would say Austin Revolution is excellent for networking with other filmmakers to find friendship & country-wide collaborators, as well as for seeing truly independent films of wide variety without genre discrimination. It’s not ideal for reaching and engaging non-filmmaker audiences, though. I think that’s totally fine; filmmakers should just know what their goals are out of every festival and what they can expect from attending. So, hopefully sharing my experience offers that insight.

In any case, we had a blast. I’d like to thank ARFF for showcasing us and our film, AND for the generous donation they made to the West Texas Donkey Sanctuary in our honor! <3

-Christina

(P.S. Listen to the Austin-based radio interview we did before our trip.)

Local Vegan Treat:

  • Bananarchy, the frozen banana truck (not stand), is AMAZING! They label all vegan options. It’s definitely a must-try if ever in Austin.

Catch the film next at:

North Carolina Gay & Lesbian Film Festival Recap

Saturday was our North Carolina Gay & Lesbian Film Festival screening of About a Donkey and it was such an amazing experience. I honestly can't fully put into words how much I enjoyed it and am so grateful to have had the film programmed at the festival.

I arrived Friday afternoon and immediately got excited about the festival when a super sweet box office clerk named Key told me she thought that that movie looked fun & interesting and she was thinking of going to see it when I asked to reserve my ticket for the About a Donkey screening. When I told her she definitely should see it and that it's my movie, she got excited and promised she would. I then met the Women's Programming Co-Chair, Piper, who, when I thanked her for programming our film, told me the whole programming committee loved it and that it was such an easy one - "just an immediate yes." That really made my day. As we're hearing back from festivals, averaging a 20% acceptance rate, it's easy to start to question whether or not we'll really have a shot at reaching an audience outside our existing circle and if anyone objective will really get & appreciate what we're going for. So, to hear that the film resonated with the programming team and it wasn't even a debate ... well, I was just overjoyed. The VIP reception that evening was a nice event for mingling with other filmmakers in attendance & sponsors of the festival. Everyone was really lovely and welcoming.

At Saturday morning's filmmaker luncheon, Matt arrived and we got a chance to meet a few other talented filmmakers (who funny enough were all also New York based) and chat with more of the programming team, including Piper, her Co-Chair & wife Monique, and a teacher who was programming with the festival for the first time this year, Layla. I have to say, I really love this team of women (I'm sure the guys are great too but I only had a chance to engage with the women). They're so lovely and clearly care about the festival and the filmmakers so much. Just meeting them alone would make me want to return again & again. But that's not the only reason! Before I get to our screening though, one of my favorite comments from the luncheon was by Layla, who said that not only were we her favorite feature that she reviewed, but also she felt it had an inviting quality where she could show it to her homophobic mom and maybe see a little shift in perspective. That was so incredible to hear because engaging people who don't typically seek out inclusive content and trying to get a dialogue going with them is a big mission of ours with the film. 

After the luncheon, we caught a block of 8 shorts. I wish I had a chance to watch more because, based on the quality (both in story and production value), I think I would have really discovered dozens of new favorite films & artists - which isn't often how I feel coming out of shorts blocks at most fests. I really enjoyed what I was able to see at this one. Then we met another programmer, Marilyn, who was going to be our Q&A moderator. She told me that she and two other programmers fought over who would get to do our Q&A because they all loved our film so much (one of whom, Laurie, I only met very briefly but who also emphasized how much she loved our film and told us she couldn't wait to watch it again at the screening). That was so awesome to hear from Marilyn, who went on to explain that they get so much of the same kind of story (as an LGBTQ festival), and so it was so exciting for them to receive a film that was inclusive enough to meet their standards but wasn't specifically about being gay. They felt that it being about a family was so relatable and felt authentic, and just "so fun, and funny, and moving." I was moved to hear her talk about it with such enthusiasm. And, having recently been rejected by the 3 other LGBTQ+ fests we submitted to, it was especially nice to hear that our approach and mission were  appreciated by the community at this festival. 

Our screening was in the beautiful Fletcher Hall at the Carolina Theatre, which seats over 1,000 people. To our happy surprise, we ended up with over 100 people at our screening. The box office said we sold 101 tickets, which didn't include the programming team or volunteers that sat in to watch (again)! I can tell you, from traveling for my Seed&Spark job and seeing indie features at a variety of festivals, that is a GOOD turnout. This is especially so when you factor in our complete lack of names, connections to North Carolina, or marketing funds. Outside of one twitter connection who came out to support me (thanks Jim!), the audience mainly came out of interest from the festival's efforts. That's really something! So often, the audience is just the filmmakers in attendance. And with a feature, that can be a really tiny crowd. So, I'm truly grateful and impressed with the way this festival hooks people! As for during the screening, the image looked great (I was worried because I couldn't afford a DCP, so sent a blu-ray - but was pleasantly surprised by how solid it looked) and the film got a lot of laughs. I think that maybe some were expecting the central storyline to be more prominently queer, but I don't think that that stopped them from enjoying it. We heard some positive comments afterwords. And the Q&A was very engaged. We had 10 minutes, and they had to cut off the questions to get us out in time. (Watch below.)

The festival apologized to me multiple times for the "bad time slot," 5pm on a Saturday; which I didn't realize was considered bad until I understood that we played before two centerpieces, the winning Women's feature Freelancers Anonymous at 7pm (which was delightful) and the Paul Rudd/Steve Coogan-starring Ideal Home at 9pm. I suppose non-filmmakers are unlikely to watch more than one feature per day, and definitely not 3 right in a row. So, considering that, I guess we were given a not-great slot. However, that fact just makes me even more impressed with the festival and the crowd we got. Not to mention, we were also programmed against 2 other screenings happening at the same time! So, that really says something about the crowd this festival draws! I'm so thankful to the people who chose to come to our screening - including and especially Key, the box office clerk who not only raved about the film afterwords but also encouraged other people to see our movie when they asked for recommendations, and even asked me to sign her ticket stub after the screening! It was just such a wonderful experience overall. The only downside was that Kelsey couldn't make it. But that's even more incentive to return in the future with another film!

-Christina

Local Vegan Treat:

  • The Parlour makes handmade ice cream and always has 2 sorbets, a vegan chocolate, and a revolving vegan soft serve option every day. I lucked out in that Friday had almond joy mocha as the soft serve option. It was SO good! It's rare finding vegan soft serve anywhere. Definitely a must try if you're ever in Durham. (I also had the pineapple mango soft serve on Sunday, which was great, but more sorbet-ish than legit ice cream.)

Catch the film next at:

About a Donkey at Buffalo International Film Festival

We're so excited that our feature About a Donkey is an official selection of Buffalo International Film Festival, which runs October 4th - 8th! It's our 5th festival acceptance and will be the 4th public screening, happening between Austin Revolution in September & Adirondack in mid-October. Details to come.

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Christina Featured in the Queens Tribune

The Queens Tribune has released a cool series on Queens-based artists and I was chosen as the resident Filmmaker! Check it out, where I discuss my filmmaking career and our latest projects! I'm grateful for the write-up, but please note that, while there are also a few minor misquotes about the context of my childhood, a major error is that they cited me as the writer of About a Donkey instead of director. Kelsey Rauber is the writer! I'm still hoping they'll respond to my correction request for the online version.

UPDATE: Queens Tribune has since shut down but the article lives on via medium.